Ever After Disaster gave feedback to triangles for “Lucky Shot”:
Nice and relaxing, sounds a bit like Moby. Excellent job.
 Feb 21, 2012, 15:07 PST


Ever After Disaster gave feedback to Kode of Bliss for “Happilo”:
Going to have to chime in on what 心星 said and say that it is, indeed, some "real good video game type of music". I can't help but be reminded of nights playing NES/SNES in the 90s.

Needs a good 8/16-bit platformer to accompany it.

Don't take this as a thumbs down or a dig at your music- it was nice and upbeat.
 Feb 21, 2012, 15:00 PST
Kode of Bliss  Thanks for the comment. I suppose older video games by the nature of limit memory space had to make the music on the fly, hince had to be electronic in nature. I just hope that my music is a tad bit better than old chip tunes.  (Feb 21, 2012, 16:56 PST)
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Ever After Disaster gave feedback to ncaband for “Crazy Charlie”:
Not bad- like most other music in this genre, my ears can't pick up on the vocals, but I enjoyed the music nonetheless.
 Feb 21, 2012, 14:56 PST


There's a game show somewhere missing out on some awesome background music.
 Feb 21, 2012, 14:10 PST


s.a. zober gave feedback to Ever After Disaster for “(deleted)”:
Very mellow. Enjoyed it. Meditative as you said, and even didn't mind that it repeated. I guess that's the idea when something is meditative, right?

Very relaxing. Thanks for sharing.
 Feb 16, 2012, 18:21 PST
Ever After Disaster  Thanks for the comment- I replaced this with a newer version (as to why the work was removed).  (Feb 21, 2012, 14:53 PST)
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s.a. zober  I'll definitly take a listen in a few. -Shoham  (Feb 21, 2012, 16:19 PST)
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Ever After Disaster gave feedback to Ted Kindig for “I am.”:
It's not perfect but it's not horrible- very rough sounding. Very garagey. Wasn't extremely good but it wasn't extremely bad either- somewhere in the middle.
 Feb 05, 2012, 14:12 PST
WalaWalaWala  Check out "The Derivatives": http://www.feed-forward.net/w.1717_TheDerivatives = Extremely good :D  (Feb 05, 2012, 20:16 PST)
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Ted Kindig  Yup, I tend to favor a dirtier sound. Specifics tend to make for more valuable feedback, but I also understand just not feeling something for whatever reason, which can be tricky to articulate. Regardless, thanks for the input!  (Feb 06, 2012, 07:15 PST)
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WalaWalaWala  Yeah. Ted's got the goods!  (Feb 06, 2012, 08:50 PST)
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WalaWalaWala gave feedback to Ever After Disaster for “Letting go”:
I thin it's my favorite of yours yet! Seems well polished and thoroughly though through.

Thanks for sharing, -Shoham
 Jan 30, 2012, 06:36 PST


I can't quite explain why, but this song made me smile. The tone in the vocals "makes" it for me. Very nice.
 Jan 29, 2012, 20:51 PST
WalaWalaWala  Thanks man! Glad you liked it. This is one of those where I think the recording quality is kind of crappy, but people seem to like the energy. Glad you did. It's a free download! Download link: http://www.feed-forward.net/w.2103_Lady_Boy_Rough_and_Raw_&market  (Jan 29, 2012, 21:02 PST)
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Very ambient, dude. Enjoyed it a lot. Neat concept, nice to see you turned a bad situation into a good one!

Is this a voice-over of you, or did you get it from somewhere?

Let me know if you get paid. Thanks for sharing,
-Shoham
 Jan 29, 2012, 20:36 PST
Ever After Disaster  Voice over- at the time I had no access to any sort of "decent" recording equipment, so I wound up recording the voice with this cheap little desktop microphone I had had in my possession for a few years. I was actually kind of amazed it picked up my voice at all, seeing as I'm a fairly low talker in just about every situation.  (Jan 29, 2012, 20:38 PST)
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WalaWalaWala  Sweet. I like your style, I think that having the right equipment isn't always as important as the feeling you put into something, anyway. Listening to "Consecration" right now. Sounding good! Very mellow percussion. Good job :D  (Jan 29, 2012, 20:44 PST)
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Ever After Disaster  Thanks! I agree on the equipment comment- to an extent. At some point, however, trying to record voice-over and picking up everything in a two-block radius because your microphone is horrid can become a nuisance.  (Jan 29, 2012, 20:47 PST)
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WalaWalaWala  Haha, yeah, I hear you. I just mean that it can sometimes be one of those overcompensation things, especially for bands (which is the context that I usually work in), where everyone is so worried about their gear that they don't pay any attention to what anyone else is playing, or how the chemistry is with everyone!  (Jan 29, 2012, 20:49 PST)
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Ever After Disaster  I'm pretty sure that's how a friend's band in high school met their end- or at least, from what I remember him saying about it. Not so much the equipment in general but rather how they interacted with each other as a unit. Which is a shame, because they had a few decent tracks.  (Jan 29, 2012, 21:09 PST)
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WalaWalaWala  Yeah, it's why most bands fail, I think! There's usually no boss, like with most groups of people, even orchestras have a conductor ;p  (Jan 29, 2012, 21:20 PST)
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Ever After Disaster gave feedback to noclass for “No Man's Land”:
I honestly felt like I was listening to my younger self play an 8-bit NES title from the early 90s. This seems like noise for noises sake.
 Jan 29, 2012, 19:57 PST